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Old 14th May 2012   #31
dan gulberry
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Quote:
Originally Posted by mattp View Post
I thought the review in this months The Wire was a bit miserable. I sometimes wonder if it's the same records they listen to.

That's how they dooz it.
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Old 16th May 2012   #32
CV
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Quote:
Originally Posted by mattp View Post
I thought the review in this months The Wire was a bit miserable. I sometimes wonder if it's the same records they listen to.

...

I'm sorry to any of you who happened to read such a weedy and miserable point of view associated with my name and music.

Please listen to the album instead, I designed it to inspire good energy for our times - nothing like that review , don't believe any of it.

Last edited by CV : 16th May 2012 at 21:09.
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Old 17th May 2012   #33
mdk
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Quote:
Originally Posted by CV View Post
...

I'm sorry to any of you who happened to read such a weedy and miserable point of view associated with my name and music.

Please listen to the album instead, I designed it to inspire good energy for our times - nothing like that review , don't believe any of it.

im curious now to know what it said.





...........................
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Old 18th May 2012   #34
e_wann
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a good review in this month German Raveline magazine
4outta5 stars





...........................
keep smilin • keep steppin & drive yerself nucking futs
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Old 27th May 2012   #35
CV
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Erutufoners are the context for the #1 De:Bug review


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Old 19th June 2012   #36
namshub
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Finally heard it! and ordered:o)
love the lucky connor track...
reminds me of the surrealist funk of supercollider...
wonderfull release, fanx!
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Old 22nd June 2012   #37
CV
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Philip Sherbourne posted a really cool write-up at resident advisor.

"At the risk of sounding hyperbolic, I'm just going to come out and say it: no one in techno surpasses Cristian Vogel when it comes to sound design. Credit Kyma, LSD or simply his own brain and the ears that bookend it—most probably, a combination of all three—but the Barcelona-based musician seems to have the keys to a secret world of circuitry. That's certainly the impression you get listening to his new EP for Shitkatapult, which features two cuts from his new album, The Inertials, along with two unreleased tracks.

In terms of form and structure, the music isn't so far out there: "Deconstructions" slots neatly into the Basic Channel tradition; "Enter the Tub" recalls, on the surface, the dubsteppier excursions of Shed or Monolake. "Voidster" inhabits its dub techno skin with ease, while "Lucky Connor" faintly recalls Oni Ayhun's off-kilter arpeggiations. But if you can't hear past the level of structure, you're missing the whole point of the release. The ashen chords of "Deconstructions" might sound familiar from scads of dusky techno releases, but the timbres Vogel achieves, not to mention the yawning sense of space, are miles beyond the work of his contemporaries. His palette is unusually dynamic and unusually interconnected: it's difficult to tell where a given sound begins and ends. Instead, scrapes and plucks and thumps and twangs fuse into something at once hard and hazy, a rippling continuum perpetually reassembling itself in mid-air.


Words /
Philip Sherburne
Published /
Fri, 15 June 2012"
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Old 29th June 2012   #38
mattp
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Hi Cristian,

Do you know when the vinyl pledges on pledge music are going to be fulfilled please ?

I know there was a problem with the vinyl LP, but I thought it was being replaced with a copy of "Enter the Tub"
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Old 2nd July 2012   #39
CV
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Its really on the way, I'm sorry. Was because of no record mailers in Switzrland. So i had to sign each one of them , and send them back to Berlin. Shitkatapult will be mailing the signed EPs to every Pledger
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