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Loz
4th October 2003, 11:43
Saw a play, Edmond by David Mamet, at the National Theatre in That London. It starred Kenneth Branagh (usually known for his Shakespearian stuff) as the lead character, an American who leaves his wife and goes out on the street in search of his true self, happiness, and a girl to get laid with.

23 scenes in about an hour and ten minutes, it was a very powerful ride. Some parts were quite uncomfortable, especially the racist diatribes, and yet some of it very funny in parts.

Kenneth Branagh was brilliant, as I think he always is in things he does, although his American accent was hard to get used to at first, not because it was bad, but because I wasn't expecting that voice to come from him. His portrayal of the man who just seems intensely lost in his life, and gets further and further from what he wants to be as the night grows on, is gritty, powerful and totally believable.

The man, Edmond,although you may like him for the most part, you cannot feel sorry for, because everything he gets into, everything he does and becomes, is his own work. He is the chief catalyst for his downward spiral at the end of the night.

It is the last night of the play tonight, so if anyone wanted to see it, you're out of luck, but I do recommend checking it out if you ever see the screenplay or it ever tours.

Highlight of the night, Branagh as Edmond goes to see a prostitute, strips to his underwear, then takes his boxer shorts off, exposing himself in full glory. Then 6 people in the audience leave.

penciLneck
4th October 2003, 14:29
really like David Mamet's stuff, sounds like a good play. What was it called?

Loz
4th October 2003, 16:17
duh.. I thought I'd written that.

I am an idiot.

Edited post to say so.

penciLneck
4th October 2003, 20:08
cheers! :)

invisibleplanet
4th October 2003, 23:06
cheers fo that info. Loz, and shame about it being the last night.

i believe that u would not be too late to catch the play 'Performances', which opened on Thursday in Dublin. Performances is written by playwright Brian Friel "about an imagined present-day encounter between the dead composer Leos Janacek and a fictional scholar, Anezka Ungrova. They discuss - and then argue about - the relationship between the composer's last work, the String Quartet No 2, and the woman who inspired it, Janacek's much younger muse Kamila Stosslova. In the play's fiction, Janacek inhabits a limbo-like netherworld, in the company of four musicians whom he calls his "life support group". In real life these musicians make up the Alba String Quartet, and their playing of the composition in question underscores the second half of the 65-minute-long production.

In the play Friel engages many of his favoured themes: the difficulty of establishing the truth of any event or encounter; the relationship between lived experience and the artist's expression of it; and the ability of music to communicate feelings and impressions that words cannot." read full review @Guardian (http://www.guardian.co.uk/arts/reviews/story/0,11712,1053803,00.html)

although the Guardian reviewer only gives this three stars, as a fan of Brian Friel's playwrighting, i would prefer to reserve judgement until i could see such a play....i hope this one tours out of Dublin, or that won't be very likely!

Incidently, for anyone who's interested, I found Brian Friel's play Translations (http://www.culturevulture.net/Theater/Translations.htm) a good way to glean some idea of the background current British presence in Northern Ireland and the early days of resistance.

Lady E
6th October 2003, 11:31
i am going to see 'the play wot i wrote' about morcambe and wise next week in brighton. kenneth branagh directed it.

invisibleplanet
6th October 2003, 12:02
wot, u wrote a play, emma? LOL