the glory of america... and how to save it

[alex cortex]

http://www.mp3int.com/eng/download_mp3/100873/2833409/Ed_Sanders_Impeach_George_Bush /

yes, yes... impeach george bush, and i´m sure the "democrats" will save the "glory of america" (citing the fantastic chorus of this even more fantastic song). it´s that easy, really...

can´t help but thinking of the following countries when america is mentioned, but i guess ed sanders only meant the glorious usa...

argentina
bahamas
barbados
belize
bolivia
brazil
chile
colombia
costa rica
cuba
ecuador
el salvador
guatemala
guyana
haiti
honduras
jamaica
mexico
nicaragua
panama
paraguay
peru
republica dominicana
surinam
trinidad & tobago
uruguay
venezuela

hmm, did i forget any? (except for canada...)
just recently someone asked me, why the hell my webpage is in spanish...

[marcel]

Originally posted by alex cortex
just recently someone asked me, why the hell my webpage is in spanish...
lol you were really pissed off eh?

[alex cortex]

estoy seguro que hoy en dia no todo el mundo es de acuerdo con ingles como lingua franca, es mas como la pereza de luchar por el suyo que frena a los que de hecho forman ya una mayoria en este mundo. ademas estoy convencido de que los que hablan de la musica electronica como un fenomeno global son los que menos se interesan para donde se ya produce y celebra.

[Yoss]

la música es el lenguaje universal que deberÃ*a carecer de los prejuicios de saber de dónde proviene o quién la hace...

[alex cortex]

Originally posted by Yoss
la música es el lenguaje universal que deberÃ*a carecer de los prejuicios de saber de dónde proviene o quién la hace...

if it just was that easy. i think it is very important to know where music comes from and who did it. no need to know insignificant details about the artists daily life, but an idea about if the artist is aware of his/her work´s position (in history of music, in politic implications, in originality...). to know where music comes from or who did it in my eyes is no prejuicio. al contrario: it shows interest and openess. the connection of "our" music market and politics is much closer than many consumers do recognize as long as they have access to almost anything they want. when i was in new york in 1999 i recognized that in shops like satellite or sonic groove people almost only bought us-records because of huge price-differences to european products and this was surely not the fault of the shops, but of u.s. tax-policies. now what about that universal language? unfortunately it´s a utopia.